“I do wonder if part of the authenticity is that there’s a very strong female point of view that came from Martha. I know it resonates with a lot of dudes too. I can’t help but think and hope that that is part of why it still resonates now, at least with women and girls. And I do wonder if part of the authenticity and how truthful it feels is that there’s a very strong female point of view that came from Martha. It really felt like I was getting a truthful peek into a whole different world, the subculture of the Valley, really a truthful peek into what it means to be a teenager. I watched it first when I was thirteen in our family room in Dallas, Texas. It brought us all together.Īmy Talkington: “Authenticity” is the word that comes to mind for me, too. It was Elizabeth ’s chemistry with us, with Michael, my chemistry with Cameron Dye. We shot the whole thing in four weeks and two days, and I think we had two weeks of rehearsal. I think part of why it works is we had no frills, so we all did it really honestly and it just captures that moment in time. All the stuff you don’t see and you don’t know about, she knew exactly what she was doing. Martha Coolidge did such an extraordinary job in every aspect of this film. When we shot it, we were all just so present.
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Heidi Holicker: My mother asks the same question every year. What is it about this film that stands the test of time? The remake-also starring Alicia Silverstone, Mae Whitman, Logan Paul, and Rob Huebel, and featuring choreography by Mandy Moore-is available to stream now, and is playing in select drive-ins. Daily, and Heidi Holicker have quick but impactful cameos in Valley Girl 2020.įoreman, Daily, Holicker, and Talkington gathered for a roundtable interview with FLOOD to talk Valley Girl, then and now, and how you can, like, totally, never take the Valley out of a valley girl. Best of all, original cast members Foreman, E.G. The cast of popular young actors does a trippendicular job with their fresh takes, as do Deap Valley, Futuristics, and American Authors, who perform in the film. Starring Jessica Rothe ( La La Land) as Julie, and Joshua Whitehouse ( Poldark) as Randy, the new film also takes place in 1983 and tugs at the same musical heartstrings as the original with an enhanced soundtrack that includes imaginative reinterpretations of ’80s pop hits from Madonna, Cyndi Lauper, and The Go-Go’s, among others. Written by Amy Talkington ( Little Fires Everywhere) and directed by Rachel Lee Goldenberg, Valley Girl 2020 has been in the making for the last twelve years. In fact, it’s time to get tubular again because there’s a totally bitchin’ new adaptation of Valley Girl, this time as a musical.
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Not only do Valley Girl’s songs include Modern English’s “I Melt With You,” Psychedelic Furs’ “Love My Way,” Payola’s “Eyes of a Stranger,” and Sparks’ “Angst in My Pants,” the film also features performances by local heroes The Plimsouls and Josie Cotton.įor a film named after a tongue-in-cheek song by Frank Zappa and his fourteen-year-old daughter Moon Unit-coincidentally his biggest commercial hit, in which they poke fun at the slang talk of San Fernando Valley’s stereotypical teenagers- Valley Girl has not only reclaimed its pejorative-ness, but has embedded its initially reviled vernacular as part of every day speak. One of the most enduring memories for many is Valley Girl’s iconic soundtrack-which reportedly ate up almost half of the film’s budget (and music licensing issues held up the film’s re-release all these years). Loosely based on Romeo and Juliet, Valley Girl shares that story’s timeless appeal, its essential cast of characters, and its core message of love. Directed by the visionary Martha Coolidge, it stars Deborah Foreman as the irresistible Julie, the epitome of the term “valley girl,” and Nicolas Cage in his first starring role as her boyfriend “from the other side of the hill,” Randy. The 1983 film was made available for rent on digital platforms just last month-exactly thirty-seven years to the day from when it was first released in theaters.
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But there is one particular screen gem that has a special place in moviegoers’ hearts: Valley Girl. There are the edgier ones like Fast Times at Ridgemont High and Heathers. There is, of course, the John Hughes canon: The Breakfast Club, Sixteen Candles, and Pretty in Pink, among others.
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There is no avoiding the bastion of films that are 1980s teen classics.